Farewell My Summer Love (originally titled Farewell My Summer Love 1984 and later re-issued as Here I Am (Come and Take Me) in Germany) is a compilation of archived Michael Jackson recordings in January and September 1973. The album was released by Motown Records in the U.S. on May 15, 1984. The nine songs featured on the album were originally recorded in January and September 1973 but had not been previously released. Motown says that these tracks were "lost" and were re-found in 1984. To give the album a more 1980s sound, Motown remixed the songs and added all new musical overdubs. The task of playing the updated sound was given to musicians Tony Peluso, Michael Lovesmith and Steve Barri. Together with drummer Mike Baird, they recorded new guitar, keyboard, percussion drum parts for the songs. The album reached #46 on Billboard's pop album chart and #9 on the UK albums chart and sold over three million copies worldwide. The title track was released as a single in May, 1984. It became a Top 40 hit in the US, reaching #38, and a Top 10 hit in the United Kingdom, reaching #7. At the time, Jackson was riding high on the success of his best-selling Thriller album. A follow-up single, "Touch the One You Love", was released in the US and backed by "Girl You're So Together", but it failed to chart. In the UK, however, "Girl You're So Together" was released as a single, with "Touch the One You Love" on the B-side, and became a top 40 hit. Like One Day in Your Life, Farewell My Summer Love has never seen a re-release, although the title track is available on several of Jackson's greatest hits collections. In particular, Motown's comprehensive Michael Jackson Anthology features the song "Farewell My Summer Love" in its 1984 remix, as well as "Don't Let It Get You Down", "Call on Me" and "To Make My Father Proud" in their original 1973 versions. All nine undubbed versions, as well as the 1984 mixes, were released on Hello World: The Motown Solo Collection in June 2009. (wiki) ==================================== by Ron Wynn Once more, Motown pulled a marketing ploy with Michael Jackson material they had in the vault. This time, they remixed it and convinced some people it was a new track. It's a testament to Jackson's appeal at the time that the song actually cracked both the R&B and Pop Top 40, although it didn't get out of the high thirties on either side. This was another incident in Motown's long history that does not rank as one of their better moments.