人们从80年代开始逐渐将对Dylan的热情减弱了下来，这对于Dylan来说不一定是坏事，而这时候的Dylan也更加成熟了。1983年的这张专辑虽然影响不大，歌也不多，但这更能够代表Dylan。 这是Dylan的第22张专辑，该专辑被看成是Dylan的音乐回归。共收录8首歌曲。 by Stephen Thomas Erlewine Infidels was the first secular record Bob Dylan recorded since Street Legal, and it's far more like a classicist Dylan album than that one, filled with songs that are evocative in their imagery and direct in their approach. This is lean, much like Slow Train Coming, but its writing is closer to Dylan's peak of the mid-'70s, and some of the songs here -- particularly on the first side -- are minor classics, capturing him reviving his sense of social consciousness and his gift for poetic, elegant love songs. For a while, Infidels seems like a latter-day masterpiece, but toward the end of the record it runs out of steam, preventing itself from being a triumph. Still, in comparison to everything that arrived in the near-decade before it, Infidels is a triumph, finding Dylan coming tantalizingly close to regaining all his powers.