by Stephen Thomas ErlewineBetween 1958 and 1962, the Three Sounds were one of the most prolific artists on Blue Note, recording over ten albums worth of material during those four years. During all that time, the group never changed their style much, concentrating on lightly swinging, lightly soulful mainstream jazz that balanced jazz and pop standards with bluesy originals. As time progressed, they veered closer to soul-jazz, but each of their records sounded quite similiar and were equally satisfying. Black Orchid, their last album for Blue Note in the early '60s (they would rejoin the label in another four years), was no exception to the rule. It displays their knack for deftly swinging uptempo numbers, light blues and sensitive standards. If anything, it swings a little harder and is a little more soulful than some of its predecessors. Again, the very fact that the music is instantly enjoyable and accessible makes some jazz critics write the Three Sounds off, but Gene Harris, Andrew Simpkins and Bill Dowdy are genuine stylists with prodigious technique. It's difficult to make music this consistently enjoyable, and the Three Sounds illustrate that they have the knack once again on Black Orchid.