Review One of the problems of the relatively insular jazz scene in the UK is ubiquity. You see an artist over the years, and you think you know their story. But artists grow, they mature and suddenly they can turn around and take you by surprise. Which is what 'A Modern Art does'. Claire Martin has always been a talented and exciting singer, but with this album, she gives evidence of both maturity and being at one with her art in a way that builds on 'He Never Mentioned Love', her previous album. She could always sing a good song well, but like many recordings by Ella Fitzgerald there was a sense of remaining at arms length from the emotional subtext of the lyrics. But here she seems intent on conveying each song's inner meaning, revealing an emotional depth that was perhaps missing on earlier albums such as 'Off Beat'. This is revealed on pieces such as 'Love of Another' and 'As We Live and Breathe' and even witty pieces such as 'The Things I Miss the Most' or 'So Twentieth Century'. To paraphrase Robert Graves, Claire Martin is really very good, despite all the people who say she's very good. Stuart Nicholson --Jazzwise Product Description Britain's leading female jazz singer Claire Martin will return to the studio to record her new album 'A Modern Art'. The album is a personal reflection of what it takes to be a musician in the 21st century and features two brand new self-penned tracks. Why A Modern Art? On my last recording I explored the repertoire of the great Shirley Horn to pay my own personal tribute. This time I was keen to record a selection of new material, songs which I feel define me as an individual, and as a jazz singer in the 21st century. I have always chosen to sing contemporary material from 'outside' the Great American Songbook, alongside lesser-known standards and original compositions. In doing so I have strived to find new songs that can stand alongside the classics we associate with the greats including Ella, Sarah, Betty and Carmen. Only two of the songs on this album are by classic composers: Cy Coleman's 'Everybody Today Is Turning On' and Rodgers & Hart's 'Everything I've Got Belongs To You'. Elsewhere, I have chosen songs from some of my favourite writers: Michael Franks, Donald Fagen and Rebekka Bakken. Mark Winkler has contributed lyrics to a great Joshua Redman melody; lyricist Colin Lazzerini has introduced me to two songs I'm proud to have recorded, and the heartfelt 'As We Live and Breathe' is by my friend, and New York Voices' vocalist, Lauren Kinhan. I was really saddened by the untimely death of Esbjörn Svensson. His beautiful ballad 'Love Is Real', co-written with Josh Hayden, is a song I recently discovered and I hope makes a fitting tribute to a much-missed musician. The title song 'A Modern Art' was written by me with Laurence Cottle and it's my own take on celebrity culture and the mass dumbing-down of musical standards in popular music. Jazz remains as vibrant and relevant as ever and can indeed gain a mass appeal - I'm sure of it! In fact, I'm on a mission, and if you're reading this you've already helped my cause! Please spread the word that jazz isn't an inaccessible art form that is too difficult to understand, nor do you have to wear an anorak and listen to trad in some muddy field in unforgiving British weather. Jazz is a thoroughly Modern Art form and this is my version! I hope you'll enjoy this album. Claire Martin