by William RuhlmannKenny Loggins turns to a more techno approach and stubs his toe commercially. He had established himself as a singles and "soundtrack" star (notably in 1984's Footloose) with this kind of up-tempo, synthesized material, but in so doing lost his connection with his album audience, and, by taking such a stylistic sidetrack on his first full-length album in two-and-a-half years, failed to reconnect with fans who still remembered him from "House At Pooh Corner." In retrospect, they were wise; Vox Humana is ambitious but unaccomplished.