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1 fille & 4 types

1 fille & 4 types

‧继98年扬名全球的「S’il Suffisait D’Aimer」后5年来的最新法文大碟 全球专辑销售直逼1亿6000万张,囊括6 座葛莱美奖、5座全美音乐奖、20座Juno奖、39座Felix奖等音乐奖殊荣,英﹑法双语天后Celine Dion,在乐迷心中奠定难以取代的"最佳情歌代言人",她的法语歌声中,流动着法式优雅及感性情怀。 「1 Fille & 4 Types」是Celine Dion 继98年的「S’il Suffisait D’Aimer」后,5年来的最新法文大碟,Celine再度与Jean-Jacques Goldman、Erick Benzi、Jacques Veneruso这三位法国乐坛重量级的词曲创作/製作携手合作。 首支单曲『Tout L’or Des Hommes』改写1989年美加地区启用"Broadcast Data Systems" (播歌资讯系统)排行统计以来法文歌曲在英文单曲听众排行榜上的最佳首周名次(第5名),在动能摇撼的节奏中为身处战乱纷扰世界的人们一丝希望曙光与一份爱意,『Je T’aime Encore』则是重新演绎专辑「One Heart」里的作品,专辑里同时挑选女歌手Anggun 2000年专辑「Desirs Contraires」演唱过的柔美抒情小品『Tu Nages』,而散发复古蓝调摇滚味道的『Ne Bouge Pas』与洋溢写意民谣韵味的『Je Lui Dirai』也都感受到无限的活力神采! by Rob Theakston Somewhere in the past year, Celine Dion thought it a good idea to strip down from the anthemic pomposity of her last few works, which were rife with ballads custom-made for the adult contemporary charts. Perhaps it was the lukewarm reception to her last record that spawned this realization, but whatever the reason may be, 1 Fille and 4 Types is a record that many Dion fans were hoping would arrive one day. Her vocals are back at top of their game: gone are the majority of the near-patented diva hysterics and howls and arriving in their place is a voice that values dynamics over acrobatics. The band is stripped down (comparatively) to its bare essentials, taking Dion into relatively unfamiliar territories such as country-pop and folk, and she proves herself more than up to the task of delivering top-notch performances every time. This stripped-down, back-to-basics attitude is only further reinforced within the album's packaging: Dion in several fashionably rugged poses that could have come straight from an Abercrombie & Fitch catalog complete with photos of a rugged life "on the road," including a hysterical shot of her with the band all lying on a bed together with her hair up in a towel and the air conditioner apparently not working during the summertime. It's completely premeditated and no diva in her right mind would stand for such living conditions, but this only reinforces how far away Dion wants to distance herself from her image this time around. The pop songs are on par with some of Diane Warren's finest gifts to diva Dion, and are equally as infectious as they are hummable. To some, it may be a stumbling block that the album is sung entirely in French, but look beyond that and find a no-frills Dion getting back to pop basics and performing at a level unheard in a while. Yes, it's in French, but hopefully the record will merit enough attention to warrant an English version sometime in the near future.

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