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Unbelievable (Explicit)

Unbelievable (Explicit)

2001年春季,Sarah Connor以挑动情欲的处女单曲《Let’s Get Back To The Bed Boy》,绽放狂野性格,歌曲强势占领德国排行榜亚军,并挥军直入欧陆各国排行榜TOP 10,抢攻欧洲流行单曲榜TOP 15;第二首单曲《French Kissing》转而释放灵魂乐的性感魅力,同年底改走情歌路线,推出感人恋曲《From Sarah With Love》成绩益发耀眼,光在德国就卖出75万张,歌曲轻易摘下德国榜冠军后座,窜登欧洲Music & Media排行榜TOP 5,并在瑞典与奥地利创造金唱片开出销售红盘;紧接着首张大碟《Green Eyed Soul》更上层楼,不但直袭德国专辑榜亚军,也攻克荷兰、波兰、芬兰、葡萄牙、希腊等国排行TOP 10,2002年3月,Sarah Connor获颁德国乐坛最高荣耀的Echo音乐奖最佳流行摇滚女歌手大奖,稍后更勇夺Goldene Europe音乐奖最成功女歌手奖。美国嘻哈大将Wyclef Jean耳闻Sarah歌唱魅力,特地跨刀制作谱写并合唱一曲《One Nite Stand(Of Wolves And Sheep)》,Sarah Connor已然跻身全球节奏蓝调歌后之林。 2003年进军国际乐坛的大碟《Unbelievable》展露Sarah Connor多样化的流行节奏蓝调风情,从纯情动人的《Skin On Skin》、挑战Toni Braxton抒情唱功的凄美恋曲《From Sarah With Love》、与嘻哈大将Wyclef Jean交手的激爆火辣风情力作《One Nite Stand(Of Wolves And Sheep)》、放克艳情劲奏《He’s Unbelievable》、抒情创作才女Diane Warren执笔的挑情动感之作《I Wanna Touch U There》、弥漫都会浪漫情调的《The Loving Permission》、散发复古节奏蓝调哀情小品《Where Did You Sleep Last Nite?》、街舞劲歌《Bounce》、《That’s The Way I’m》、《Sweet Thang》到节奏蓝调美声情歌《1+1=2》、《Beautiful》,她那收放自如的情感唱腔马上就要征服你的听觉世界了。 Having lost its way a little in a neutered limbo populated with a volley of faux-chanteuses who appeared post-Britney, it's refreshing to find contemporary R&B beginning to distance itself from the whiter-than-white, squeaky-clean soul lite in favor of getting back to the business of boot-knocking. Twenty-two-year-old Sarah Connor has been touted as something of an Aguilera-beater by Sony, with her debut, Green Eyed Soul, laying down plenty of comparatively explicit lyrical slap and tickle. Quick to realize a good thing when they have it, the label have unleashed this sophomore outing less than a year after the release of its predecessor. Despite something of a menacing Teutonic flavor which her German inflection lends to the pillow talk unwisely scattered amongst the track listing, this slightly disturbing quality thankfully disappears once she starts singing — with her unarguably powerful voice soaring above the rock-solid production of sometime-Backstreet Boys desk man Bulent Aris. As is par for the course with the genre, ill-advised ballads handicap an album which didn't realistically require 17 tracks, but these slight indiscretions are unlikely to put off fans baying for a second album of Connor's slick pop.

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