2020年初的疫情的发生使得整个世界都猝不及防，生命中最微小的形式却把人类拖入深深的泥沼。社会停摆、秩序丧失、经济倒退，在这个新十年的伊始，生活在这个星球上的人类步履蹒跚的前行。在此艰难的时刻，音乐却爆发出更丰富的功能和力量，这一年中发生的事情，已经、正在也将会被全世界的音乐人记录、再现和反思。 今年已是新乐府“全球大拜年”的第三年，延续前两年民乐贺岁的刷屏传统，国乐潮牌新乐府尝试将最优秀的青年民乐演奏家与说唱、电子结合，创造出这张带有浓重“国乐”色彩的新民乐说唱EP。 该EP在新乐府深厚的民乐功底助力下，也贯彻了90后团体“讲究制噪”一如既往的EKB（Electronic KuaiBan中国电子说唱）音乐风格。三首歌选取了三首不同风格的中国传统曲目进行采样和解构，用当下流行的Trap、Future Bass、Urban等风格进行重新演绎，在记录2020年重要事件的以及对未来美好展望的同时，尝试用新一代年轻人的视角理解流行与经典的碰撞，力图让”民乐重回民间“。 01 好好过年（金蛇狂舞拜年版）Have a Happy New Year 解构自中国民乐「金蛇狂舞」，原本的主题旋律被打散和重组，让Future Bass这种当下年轻人中热门的音乐风格与传统民乐有机结合。歌词内容上则是年轻人对于春节的看法与认识，也是对于听众在新一年能够行好运的祝愿。 02 时刻准备（十面埋伏拜年版）Ready As Ever 采样自「十面埋伏」。2020年因为疫情及一系列后续反应，使得这个新十年的起始异常艰难，而且这份阵痛似乎仍将继续。而「时刻准备」正是鼓励大家能够坚持忍耐，厚积薄发，挺过所有困难。 03 满堂红（满堂红拜年版）Man Tang Hong 充满电子风格的迷幻音色仿佛灯火通明的现代社会，却与这喜庆的「满堂红」形成反差。巨大城市带来归属感的迷失，把视角定位在背井离乡、在大城市打拼的年轻人身上。而副歌也取民歌歌名的本意，期待在这个无法归乡的2021年，每一位打工人都能在心中看到属于自己的「满堂红」。 The 2020 pandemic has caught the entire world off guard, and the tiniest form of life has dragged humanity into a deep quagmire. Social stagnation, loss of order, economic regression, at the beginning of this new decade, the mankind living on this planet stumbles forward. In this difficult time, music has exploded with a richer function and power. The events of this year have been, are, and will be recorded, reproduced, and reflected by musicians all over the world. This is the third year of China Music House's "Global Chinese New Year's Eve". Continuing the folk music tradition of celebrating New Year in the previous two years, the fashionable Chinese music label China Music House has tried to combine the best young folk musicians with rap and electronics to create this new rap EP with a strong "Chinese music" color. The EP is aided by China Music House's deep folk music background, and also carries out the EKB (Electronic KuaiBan Chinese Electronic Rap) music style of the rap group JJZZ. The three songs are sampled and deconstructed from three different styles of traditional Chinese music, and reinterpreted in the currently popular styles, like Trap, Future Bass and Urban, etc. While recording the important events of 2020 and looking forward to the future, they try to understand the collision of pop and classics from the perspective of young people, and trying to bring "folk music back to the folk". Track 1 Have a Happy New Year(CMH Edition) Deconstructed from Chinese folk music "Golden Snake Dance", the original theme melody is broken up and reorganized to combine Future Bass with traditional folk music. The lyrics are about young people's perception of the Chinese New Year and their wish for good luck in the new year. Track 02 Ready As Ever Sampled from the "Ambush on All Sides". 2020 has been a tough start to the new decade due to the pandemic and a series of subsequent reactions, and it seems that the pain will still continue. "Ready as ever" is to encourage everyone to persevere and endure, to build up, and to overcome all difficulties. Track 03 Man Tang Hong (CMH Edition) The psychedelic sounds of the electronic style resemble the brightly lit modern society, but contrast with the festive "Man Tang Hong" (red house). The huge city brings a sense of loss of belonging, positioning the perspective on the young people who have left their hometown to work in the big city. The chorus also takes the original meaning of the original song title, expecting that, in the year 2021, when people cannot return hometown, everyone can find their own "red house" in the heart.