Richard和她妹妺Karen和负责贝斯和低音大喇叭的Wes Jacobs，三人组成了 "The Richard Carpenter Trio"。Karen可以同时打鼓和唱歌，所以他们常在婚礼或舞会上演奏。在他们赢得在 1966 Hollywood Bowl的The Battle of the Bands"比赛的名声后，他们就录了一些DEMO带并开始走访唱片公司，他们在A&M公司签下了他们的第一张合约，以及第一张唱片：Offering，这张唱片之后被更名为"Ticket To Ride"，并登上Top100。 by Bruce Eder The Carpenters' first long-player, cut in 1969 (and originally released as Offering) amid the breakdown of America's postwar social contract, the Vietnam War's soaring to a crescendo of bloodshed, the coming apart of the Beatles, and the final flowering (and wilting) of the youth rebellion of the prior four years. And in the middle of all of that, Karen and Richard Carpenter issued a finely crafted record that moved effortlessly between Spanky & Our Gang-style pop/rock ("Your Wonderful Parade") and art-song. In some ways, Ticket to Ride is the Carpenters' most interesting album, for it contains a range of interests and sounds that were modified or abandoned on subsequent albums. The lushly orchestrated "Someday" is a brilliant showcase for Richard's arranging skills and the most dramatic side of Karen's voice -- it points the way toward songs like "Crescent Noon" on the next album, and although that highly dramatic sound proved a blind alley, it did result in some ravishing performances by the duo. "All I Can Do" is the most solid reminder of their origins as part of a light jazz trio called Spectrum, a pleasing vocal workout that might've been well covered by the Manhattan Transfer. Their version of "Get Together" is about as convincing as a version by the Cowsills would've been, but it's balanced by Richard's slow ballad arrangement of "Ticket to Ride," an unexpected and beguiling (if too upbeat) cover of Neil Young's "Nowadays Clancy Can't Even Sing," and a couple of superb originals, "Eve" and "All of My Life."