到了90年代，Dylan的这张专辑值得一提，那就是为他获得1993年格莱美大奖的专辑《World Gone Wrong》。花哨的封面很吸引人啊！法国电影般的，鲜艳的图案，优美的构图。这也是迪伦后期的专辑之一，这个时期的迪伦似乎更加偏好布鲁斯风格。之所以说这张专辑值得一提，并不是因为他获奖的缘故，只是因为自从60年代后期Dylan用上电吉他之后，这张《World Gone Wrong》是他第一次完全放弃电声乐器，重拾箱琴。当我们再一次听到那个流浪汉般沙哑的嗓音和精湛的口琴、吉他演奏的时候，一种旷日持久的沧桑。 by Stephen Thomas Erlewine If Good as I Been to You was a strong traditionalist folk record, World Gone Wrong was an exceptional one, boasting an exceptional set of songs given performances so fully realized that they seemed like modern protest songs. Much of this record is fairly obscure to anyone outside of dedicated folk fans; "Delia" (covered by Johnny Cash the following year) and "Stack-A-Lee" are the most familiar items, yet they're given traditional readings, meaning that the latter doesn't quite seem like "Stagger Lee." But even if these are traditionalist, they're spirited and lively renditions, and Dylan seems more connected to the music than he has in years. That sense of connection, plus the terrific choice of songs, makes this one of his best, strongest albums of the second half of his career.