by Ron Wynn Babyface has established himself as both a performing and production star in the '90s. His alternately innocent, hurt, and disillusioned vocals are this decade's equivalent of the soul/love songs of the '70s and '80s. He can sing sentimental material, tender tunes, or seem angry and confused. His lyrics get overly coy, but they've struck many responsive chords among women in particular. It's not soul, but it's what many who never heard Sam Cooke think it is.