在1991年的第四张专辑《Let's Get to It》发行之后,Kylie完成了合约的要求并决定不再续签。她经常公开表达对Stock,Aitken和Waterman的不满，感觉自己被他们压抑地要窒息了。相比在《Neighbours》剧组时，她现在的生活要复杂的多，而且没有足够的宣传，唱歌和表演还要照纲照常。 by Chris True While it's certainly as danceable as Rhythm of Love, Let's Get to It seems to try too hard. By this point in her career, Kylie had transformed from her innocent dance-pop image to what the press dubbed "SexKylie." Obviously, this wasn't accidental on her part. From the title to the heavy breathing effects to the kind of creepy cover pic, this is Kylie as a self-made sex kitten. What makes this album interesting musically is that she has taken creative control of her career as well as image control. She co-wrote much of the record, and while there are some noticeable missteps (the stadium keyboard part that lays the foundation of "I Guess I Like It Like That," for example), she shows potential. Not her most solid release, but fans of her early work will enjoy it.